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Janáček, Leoš: Hradcany Songs

Cycle on text by F. S. Procházka for Female Choir

vocal/choral score

Instrumentation: Voix hautes
Période: Moyen-age, romantique
Poids: 0.153 kg
Editeur: Bärenreiter
Numéro d’édition: H4248
Cotage de l'editeur: H04248
ISMN: 9790260106437
The first two months of 1916, during wartime, was the only period during which Janacek wrote for female voices alone, thus responding to the situation of the time when the majority of men had to leave to fight in the war. For the recently established Moravian Female Teachers' Choral Association he wrote, among others, settings of three patriotic poems by Frantisek Serafin Prochazka: Golden Lane (Zlata ulicka), The Weeping Fountain (Placici fontana) and Belvedere (Belveder). They were published under the title Hradcany Songs. The score contains a preface in three languages (Cz./Ger./Eng.).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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