Sassmannshaus, Egon – Sassmannshaus, Kurt: Early Start on the Violin 4
A violin method for children
playing score
The fourth volume introduces various positions as well as new bowing techniques.
These are practiced in increasingly demanding classical duets. From here students can embark on the journey of standard repertoire &ndash,Concerti such as Vivaldi, Accolay etc. are now within reach.
The authors:
The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced andrenowned Violin pedagogues in Germany.
For
Contents | ||
---|---|---|
1. | Preface | |
2. | Third Position | |
3. | Brush Strokes And Spiccato | |
4. | Major And Minor Scales | |
5. | Triple Stops (Three Voice Chords) | |
6. | The Climbing Game | |
7. | Harmonics | |
8. | Shiftings | |
9. | Ornaments | |
10. | Martelé | |
11. | Staccato | |
12. | Second Position | |
13. | Pieces In Various positions | |
14. | Scales On One String | |
15. | Two Octave Scales In All Keys | |
16. | Three Octave Scales And Arpeggios |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
