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Beethoven, Ludwig van: 33 Variations on a Waltz

playing score

Instrumentación: piano
Serie: Bärenreiter Urtext
Época: Romanticismo
Grado: 5
Peso: 0.287 kg
Año de publicación: 2019
Editorial: Bärenreiter
Nº de artículo: BA9657
Nº de editorial: BA09657
ISMN: 9790006528158
In December 1818, the Viennese music publisher Pietro Cappi announced the establishment of a new firm with his business partner Anton Diabelli named Cappi & Diabelli. The company developed a good nose for the taste of the day and quickly became one of the most influential music publishers in Biedermeier Vienna.
Early on in the enterprise Diabelli sent a 32-measure waltz which he had written himself to the most reputable composers of the Austrian Empire with the invitation to submit a set of variations which were to be published in a collaborative collection. We only know for sure of one composer who explicitly declined to collaborate: Beethoven.
It remains unclear why Beethoven did not want to participate in the contest. He nevertheless composed 33 variations, not directly for Diabelli, rather considering alternative avenues of publication. His 'Diabelli Variations' mark the pinnacle of his oeuvre for variations and next to Bach's 'Goldberg Variations' form one of the most import ant contributions to this genre.
In the Preface of this edition, the editor Mario Aschauer describes the very complex source situation. Discrepancies between the main sources are presented with ossias in light grey print. A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven's day (Ger/Eng) complete this fine Urtext edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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