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Fauré, Gabriel: Choir & Organ. Requiem. Arranged for solo voices, chorus and organ

Op. 48
Transcribed by Bredenbach, Ingo
Instrument: Chór i instrument
Skład: Soli/Mixed choir/Org
Period: Romantic
Stopień trudności: 3
Czas trwania: 0:35
Zasięg: 47 stron
Waga: 0.16 kg
Wydawca: Bärenreiter
Numer katalogowy: BA7513
Inne : BA07513
ISMN: 9790006521654

Thanks to its transparent texture and its many beautiful melodies, which seem to be token the composer’s highly personal relation to death, the Requiem is perhaps Fauré’s most popular work.

The musical structure of thisfrequently heard piece makes it virtually ideal for performance with organ accompaniment. This arrangement takes into account all three of the composer’s surviving versions: the early version with string orchestra as well as thetwo later versions with added winds and with

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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