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Berlioz, Hector: Les nuits d'été

Six Songs for solo voice and Orchestra

vocal/choral score

Op. 7
Words by Gautier, Théophile
Edited by Kemp, Ian
Transcribed by Woodfull-Harris, Douglas
Setting: Vocal
Instrumentation: voices-m/2Fl/Ob/2clarinet/2bassoon/3Hn/harp/Str
Series: Bärenreiter Urtext
Period: Romantic
Grade: 3
Duration: 0:25
Weight: 0.147 kg
Publisher: Bärenreiter
Item number: BA5786-90
Other reference: BA05786-90
ISMN: 9790006506033
Berlioz composed these songs in 1840-41, between the composition of Roméo et Juliette and La damnation de Faust. The poems were taken from a collection entitled La comédie de la mort by Théophlie Gautier, published in 1838. The songs were for mezzo-soprano or tenor with piano accompaniment, and were published as a cycle under the title Les nuits d'été in 1841. The second and fourth songs, Le spectre de la rose and Absence, were performed a few times at that period, and Absence was sung twice in February 1843 by Marie Recio on Berlioz's first tour of Germany. For Marie, who later became his second wife, Berlioz at once orchestrated the song for mezzo-soprano and small orchestra. A dozen years later Berlioz orchestrated the remaining five songs of the cycle, which appeared in its orchestral form in 1856. Two of these songs, Le spectre de la rose and Sur les lagunes, were now transposed to a lower key, so that the cycle was no longer within the compass of a single voice.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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