价格: $17.20 不含税
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店铺取货: 1-2周

Tango & Co

for Accordion

playing score

Edited by Sauter, Cordula
存款: Accordion
器乐创作: accordion
系列: Ready to Play
语言: English, German
难度: 3
页数: 27 页
Weight: 0.133 kg
首次出版: 2015
出版者: Bärenreiter
刊物代码: BA10617
其他出版代码: BA10617
ISMN: 9790006521043
Play Tango, Klezmer and SwingWith this edition Cordula Sauter presents an attractive selection of pieces that will appeal to accordion players of every age group. Idiomatic harmonies, techniques and embellishments offer a wide-ranging insight into the sound of these popularstyles.Many of the pieces are kept straightforward to facilitate getting started with this collection, others call for greater empathy, but their exciting style will soon make them gems on any programme, large or small.╔ Famil

内容目录

1.
Volver
2.
Tarantella
3.
Begin the Beguine
4.
Nigun
5.
Bublitschki
6.
El Esquinazo
7.
Klezmer Waltz
8.
Quartier latin
9.
El Choclo
10.
El Dia Que Me Quieras
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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