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Saint-Saëns, Camille: Quartet No. 1 for two violins, viola and violoncello E minor op. 112 / Quartet No. 2 for two violins, viola and violoncello G ma III/1

Edited by Guilloux, Fabien
Setting: String Quartet
Instrumentation: 2V/Va/Vc
Period: Romantic
Language: English, German, French
Weight: 1.456 kg
Publisher: Bärenreiter
Item number: BA10315-01
Other reference: BA10315-01
ISMN: 9790006563432
The two string quartets by Camille Saint-Saëns appear here in one volume for the first time. The String Quartet No. 1 in E Minor op. 112 (1899) numbers among the composer's most successful pieces and is emblematic of the genre in the French repertoire. Here Saint-Saëns displays his fully developed mastery and presents the wealth of his inspiration and musical prowess. Only three years before his death, he surprisingly composed the String Quartet No. 2 in G major op. 153 (1918) which, with its classicistic stance, represents a homage to the masters of the late eighteenth century Viennese School.
In addition to the first critical edition of the two string quartets, this second volume of the 'Oeuvres instrumentales completes' de Camille Saint-Saëns includes the first version of the final movement 'Interlude et Final' from the second string quartet, the fragmentary beginning of an early work for string quartet as well as the previously unknown and unpublished Adagio from Symphony No. 2 in A Minor op. 55 for string quintet. An extensive Introduction (Fr/Eng/Ger) illuminates the genesis, historical performance and reception histories of all these pieces, the Critical Report (Fr) provides information about all the sources and their variants.
- The two string quartets for the first time in one volume
- Includes previously unpublished sources
- With an extensive Introduction (Fr/Eng/Ger) and a Critical Report (Fr)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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