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Bach, Johann Sebastian: Wake ye maids! hark, strikes the hour

Cantata for the 27th sunday after Trinity

vocal/choral score

Transcribed by Dürr, Alfred
Setting: Vocal
Instrumentation: SSolo/TSolo/BSolo/Mixed choir-SATB/Hn/2Ob/Ob-ba/2V/Va/Bc(Vc/double bass/bassoon/Org)
Series: Bärenreiter Urtext
Period: Baroque
Language: English
Grade: 4
Weight: 0.204 kg
Publisher: Bärenreiter
Item number: BA10140-90
Other reference: BA10140-90
ISMN: 9790006491247
The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoon, Horn, Violino Piccolo, Strings and Continuo.
The Cantata Wachet auf "Sleepers Awake", is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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