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Bach, Johann Sebastian: I will my cross-staff gladly carry

Cantata for the 19th Sunday after Trinity

vocal/choral score

Transcribed by Kroupova, Olga
Edited by Wendt, Matthias
Instrument: Vocal
Instrumentatie: BSolo/Mixed choir-SATB/2Ob/EnglHn/Str/Bc
Serie: Bärenreiter Urtext
Perioada: Baroque
Limba: English
Nivel: 4
Intindere: 20 pagini
Greutate: 0.076 kg
Editor: Bärenreiter
Numar articol: BA10056-90
Numarul original al articolului la editor: BA10056-90
ISBN: 9790006503346
Cantata 56, also known as the 'Kreuzstab Cantata', was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text alludes to the gospel story of the healing of the sick, the cantata can be related generally to sorrow, suffering and redemption on many occasions in the liturgical year. Bach places the bass singer in the foreground with impressive arias and recitatives, allowing the chorus only to sing the final chorale.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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