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Organ Plus One - Reformation - Hymns by Martin Luther

Organ Score with parts in C, B-flat, E-flat, F

playing score

Edited by Klomp, Carsten
Instrument: Organ and various instruments
Perioada: Classic
Limba: English, German
Nivel: 3
Greutate: 0.525 kg
Editor: Bärenreiter
Numar articol: BA8508
Numarul original al articolului la editor: BA08508
ISBN: 9790006563197
The ''organ plus one'' series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services, evening recitals or smallconcerts.Included are pieces which are freely-composed or based on chorales, either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation, including some composed by Martin Luther.Enclosed in each edit

Continut

1.
Sinfonia F major from BWV 794 [Bach, Johann Sebastian]
2.
Voluntary [Anonymus (18th C)
3.
Benediction from op. 33, 4b [Karg-Elert, Sigfrid]
4.
Prélude [Dubois, Théodore]
5.
Allein Gott in der Höh sei Ehr from BWV 675 [Bach, Johann Sebastian]
6.
Allein Gott in der Höh sei Ehr [Klomp, Carsten]
7.
Nun freut euch, lieben Christen g'mein HoWV X. 26 [Homilius, Gottfried August]
8.
Nun freut euch, lieben Christen g'mein [Klomp, Carsten]
9.
Nun freut euch, lieben Christen g'mein [Klomp, Carsten]
10.
Ist Gott für mich [Bunk, Gerard]
11.
Ist Gott für mich [Klomp, Carsten]
12.
Ein feste Burg ist unser Gott from op. 5 [Frenzel, Robert]
13.
Ein feste Burg ist unser Gott [Reger, Max]
14.
Ein feste Burg ist unser Gott [Klomp, Carsten]
15.
Wer nur den lieben Gott lässt walten from BWV 647 [Bach, Johann Sebastian]
16.
Wer nur den lieben Gott lässt walten [Dienel, Otto]
17.
Wer nur den lieben Gott lässt walten [Klomp, Carsten]
18.
Was Gott tut, das ist wohlgetan [Walther, Johann Gottfried]
19.
Was Gott tut, das ist wohlgetan [Klomp, Carsten]
20.
Hymns by Martin Luther:
21.
August Nun komm, der Heiden Heiland [Homilius, Gottfried]
22.
Nun komm, der Heiden Heiland [Klomp, Carsten]
23.
Gelobet seist du, Jesu Christ [Hark, Friedrich]
24.
Gelobet seist du, Jesu Christ [Klomp, Carsten]
25.
August Komm, Heiliger Geist, Herre Gott from HoWV X.1 [Homilius, Gottfried]
26.
Komm, Heiliger Geist, Herre Gott [Klomp, Carsten]
27.
Es ist gewißlich an der Zeit [Krebs, Johann Ludwig]
28.
Es ist gewißlich an der Zeit [Klomp, Carsten]
29.
Mit Fried und Freud ich fahr dahin [Buxtehude, Dieterich]
30.
Mit Fried und Freud ich fahr dahin [Praetorius, Michael, Klomp, Carsten]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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