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Mozart, Wolfgang Amadeus: La clemenza di Tito - Titus K. 621

Opera seria in two acts

vocal/choral score

Transcribed by Epplée, Eugen
Edited by Giegling, Franz
Words by Mazzola, Caterino
Translated by Schuhmacher, Gerhard
Instrument: Vocal
Instrumentatie: 4SSolo/TSolo/BSolo/Mixed choir-SATB/2Fl/2Ob/2clarinet/clarinet-B/BaHn/2bassoon/2Hn/2Trp/timpani/2V/2Va/Vc/double bass/Bc
Serie: Bärenreiter Urtext
Perioada: Classic
Limba: German-Italian
Greutate: 0.908 kg
Editor: Bärenreiter
Numar articol: BA4554-90
Numarul original al articolului la editor: BA04554-90
ISBN: 9790006520237

As remarkable as the quality of the compositions themselves is the astonishing rapidity with which Mozart composed his last two great operas, ''Die Zauberflöte'', K.620, and ''La clemenza di Tito'', K.621: From firstsketches and drafts to finished products, some 800 pages of music penned within the six-month period from April to September 1791.

Opinions of the work at the time of its premiere are as varied as the history of itsreception. As a ''coronation'' opera it initially le

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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