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Trios and quartets for horns

score and parts

Selected, transcribed and edited by Szilágyi Pálma
Setting: Horn (more)
Series: Musica da camera for music schools
Genre: Pedagogical performance pieces
Length: 74 pages
Published: February 2012
Publisher: Editio Musica Budapest
Item number: 14774
ISMN: 9790080147740
In the last volume in this popular chamber music series trios and quartets feature in roughly equal proportions. Every piece includes a more easily playable part, so that not only music school pupils in the more advanced classes but even learners who have only recently begun to study their instrument will find things in it to play - and if the players are on an equal technical level, they can try themselves out in different functions by swapping parts. The collection includes pieces from every period of music history from the Renaissance to late Romanticism. The majority of the works are transcriptions made by the very experienced Hungarian horn teacher Pálma Szilágyi, but some original compositions are also to be found among them.

Contents

1.
Palestrina, Giovanni Pierluigi da: Madrigal
2.
Franck, Melchior: Intrada
3.
Kindermann, Johann Erasmus: Ritornello
4.
Ismeretlen szerző: Fanfare
5.
Alcock, John: Siciliano
6.
Martín y Soler, Vicente: Canon
7.
Hook, James: Trio
8.
Du Puy, Edouard: Polonaise
9.
Smetana, Bedrich: My star
10.
Ismeretlen szerző: Hymn
11.
Isaac, Heinrich: Innsbruck
12.
Ismeretlen szerző: Tourdion
13.
Dowland, John: Song (Now, o now I needs must part)
14.
Dowland, John: Song (Come again, sweet love)
15.
Praetorius, Michael: La Volta
16.
Ismeretlen szerző: Pavane
17.
Ismeretlen szerző: Bergamasca
18.
Purcell, Henry: March for the Quenn Mary's funeral
19.
Gluck, Christoph Willibald: Christmas carol
20.
Schumann, Robert: Military March
21.
Liszt Ferenc: Ave Maria
22.
Tchaikovsky, Pyotr Ilyich: Toy soldier's march
23.
Fauré, Gabriel: Libera me
Musica da camera
As the title indicates, the volumes in this series include works composed or arranged for chamber ensembles (trios and quartets), specifically designed for music school students. The editors have selected from every period of music literature from the Renaissance to the present day, so this colourful musical material also serves to deepen the youngsters’ knowledge of style. The majority of the works are transcriptions made specifically for this series that are adapted to the technical characteristics and sound of the given ensemble, and even the easiest pieces are of musical value. Of the twelve volumes in the series five are designed for groups consisting of one type of instrument (ensembles of three or four flutes, violins or horns), thus the teachers of each instrument can form chamber groups from among their own pupils. The percussion volume is exceptional within the series, as it includes only contemporary, original compositions for four, five and six performers.
 

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